Tag Archives: Hostile

Hostile Takeover Tour Featuring Tech

Hostile Takeover Tour featuring Tech N9ne – Krizz Kaliko, Prozac, Mayday, Stevie Stone
Event on 2012-07-03 20:00:00
This event is 18 and over
Hostile Takeover Tour featuring Tech N9ne

The Kansas City rap king has sold more than 500,000 albums independently, performed in front of more than half a million people in the last three years and established himself as one of underground rap's most respected artists. With the impending release of his third national album, the monumental Everready (The Religion), Tech N9ne is poised to graduate from one of rap's best-kept secrets to a major international superstar.

After experiencing a number of professional setbacks while promoting his critically acclaimed Anghellic and Absolute Power albums, Tech N9ne felt that Everready (The Religion) was an affirmation of his staying power. "I wanted to name it Everready because if you look at the old Eveready batteries, their logo included nine lives," Tech explains. "That album title symbolizes nine lives, another life after death. I've had a lot of deaths in the music industry and there's still life after all that. The Religion, the reason I subtitled it that is because I want this album to be something that's being studied or praised. It's like calling it a doctrine."

Such a mandate is a natural conclusion after listening to Everready (The Religion). The album teams with blockbuster songs and stellar production. "Jellysickle," for instance, features Bay Area rap legend E-40 and a thumping, addictive club-ready beat from superproducer Rick Rock (Jay-Z, Fabolous). Despite the track's freshness, it made Tech N9ne think back to his early material.

"It reminded me of an old Tech N9ne, like 'Mitch Bade,'" he reveals. "It's like a 2006 'Mitch Bade,' so I had to talk about the same thing: jealous people, stupid people. Kansas City is a place where hatred is at an all-time high. I thought it would capture that persona of the ghetto."

As Tech N9ne has emerged as one of rap's most innovative, creatively fearless artists, there has been a segment of his fans who feel that he's abandoned his hardcore background. Tech addresses the situation on the aggressive yet elegantly produced "Come Gangsta." "After all these years of people telling me that my music was for white people, that I needed to come with gangster stuff," Tech says. "Music is supposed to inspire and evolve. Andre 3000 isn't still doing 'Player's Ball.' He evolved. That was always on my mind, that people were always telling me to come gangster. When it comes to it, my one gangster song can demolish their whole CD. I was inspired to write about the type of people that were telling me to come gangster."

Tech N9ne delivers more high-energy heat on "Welcome To The Midwest" with Big Krizz Kaliko. He continues his harder edge on the macabre "My World," with Brotha Lynch Hung, and the warped "In My Head." On these two tunes he raps about mad and sad topics, things that pain him. He expresses a similar sentiment on "The Rain," a touching ode to his wife and children. Much like Tech N9ne's classic "This Ring," "The Rain" features Tech N9ne giving his fans an intimate look into his life and his career, a look made all the more personal because the song features his two daughters rapping about how much they miss their father.

"Any man with a kid that's on the road a lot can relate to that, whether you're a musician, a doctor, a director," Tech explains. "A lot of people are not to be there for their family in the flesh, and they're hurting because they miss their loved ones."

People of all backgrounds can also relate to friction in their relationships. Tech N9ne conceptualized the riveting "My Wife, My Bitch, My Girl" during a low point in his marriage. "At the time I wrote that song, me and my wife were doing really bad," he reveals. "I wrote that song in my bitter stage, when I was saying whatever I wanted to say. '(My wife) don't like me/(My bitch) gets hyphy/(My girl) might knife me twice just to spite me.' That's how I had the balls to write it. I didn't care anymore. I just wanted to release it."

Tech N9ne then talks about his breast fetish on the sinister "Flash" and about his crew's road adventures on the heavy "Groupie." But touring hasn't been all fun and games for Tech N9ne. On the rock-influenced "Riot Maker," he details some of the problems he's had while trying to perform for his fans. "At the time, we were going through a lot of things," Tech says. "I wasn't able to go to Hawaii because the promoters said my music incites riots. At the same time, this girl was trying to sue me for 0,000 for cracking her own skull at my show and I wasn't even in the building yet."

An explosive recording artist, Tech N9ne has long earned praise from his fans because of his ability to deliver mind-blowing raps about his struggle to navigate through life's pitfalls. His willingness to shed his ego and allow his followers to look at the high and low points of his experience has earned Tech N9ne a rabid, dedicated following.

"A lot of people when they come up to me, they say, 'The reason why I like you Tech is that you say what you feel and you're not afraid to say anything,'" Tech says. "That's so tight because so many use discretion. I think I've inspired people to say what they feel because I've opened my life up for people to see."

With such powerful music, it should come as no surprise that Tech N9ne's reach continues expanding. Several of his songs are featured in the forthcoming Alpha Dog film, which stars Justin Timberlake and Sharon Stone. His music also appears on the latest edition of the fan favorite Madden NFL video game series, as well as the action video game 25 to Life. He also appears as a playable character on the latter.

But for now, it is all about indoctrinating his fans to Everready (The Religion). "This is Anghellic, Absolute Power combined," Tech says. "If I could have titled this album One Big Clusterfuck, I would have because I think it has everything. It has the personal stuff Anghellic had or the party stuff that Absolute Power had. I think this is my best work." Believe it.

at Marathon Music Works
1402 Clinton St
Nashville, United States

New Multitudes – Original Music Set To The Lyrics of Woody Guthrie – Jay Farrar, Will Johnson, Anders Parker & Yim Yames – Featuring members of Son Volt, Centro-Matic, Varnaline and My Morning Jacket – Sarah Jaffe
Event on 2012-03-09 19:00:00
New Multitudes – Original Music Set To The Lyrics of Woody Guthrie
Jay Farrar, Will Johnson, Anders Parker & Yim Yames
Featuring members of Son Volt, Centro-Matic, Varnaline and My Morning Jacket
Sarah Jaffe

    Crystal Hotel & Ballroom – Crystal Ballroom |
    Friday, March 9

    Tickets on sale now!About Jay Farrar, Will Johnson, Anders Parker & Yim Yames

    Will Johnson (Centro-matic, South San Gabriel), Jay Farrar (Son Volt, Gob Iron, Uncle Tupelo), Yim Yames (My Morning Jacket, Monsters of Folk), and Anders Parker (Varnaline, Gob Iron) bring their collaborative Woody Guthrie tribute to the Crystal Ballroom in support of their new album, New Multitudes.

    An intimate interpretation of American icon and musical legend Woody Guthrie's previously unrecorded lyrics, New Multitudes will be released on February 28 on Rounder Records and is set to coincide with the centennial celebration of Woody Guthrie's birth year. The album will see a 12 track release as well as a 23 track deluxe, limited edition. The limited edition features original Guthrie lyric sheets, the 12 track release, and 11 additional compositions recorded by Farrar and Parker. The album will also be available on vinyl.

    ;

    Under the invitation of Nora Guthrie, Woody's daughter, to tour the Guthrie archives, each of the four songwriters were offered the chance to plumb and mine the plethora of notebooks, scratch pads, napkins, etc. for anything that might inspire them to lend their voices and give the words new life.

    "These guys worked on an amazing group of lyrics", says Nora. "Much of it culled from Woody's times in LA. Lyric wise, it's a part of the story that is still mostly unknown. From Woody's experiences on LA's skid row to his later years in Topanga Canyon, they are uniquely intimate, and relate two distinctly emotional periods in his life."

    Facebook:
    http://www.facebook.com/newmultitudes

    About Sarah Jaffe

    If there is one thing that Sarah Jaffe will never have to contend with it is the idea that she is a female singer for females. There was once a time that being a female singer meant you would undoubtedly be put into an all too snug box. Is she an angry singer? An activist singer? A singer for the victims or the singer your mom bonds with you over? To be honest, when Sarah's new CD Suburban Nature was released on May 18th she inserted herself into and destroyed all those boxes simultaneously, because Sarah is a truth singer …and no matter who or what we are, we all need, and want, our singers to be truth singers. Jaffe's words and voice seam like they are speaking to you, only to you, yet they contain a universal appeal evidenced by the fact that she's recently toured with Midlake and Norah Jones. Two completely different audiences whom Jaffe, equally endearing and confident, easily won over.

    Growing up in Red Oak, Texas might not be ideal circumstances for breeding the kind of talent that is encompassed in Sarah's songs, but it does beg the question of nature verses nurture. What we have in us before we are even us, and what we interpret because of life circumstances. Writing since her early teens, many of the songs featured on Suburban Nature were written long before she could even enter the clubs were they are now performed.

    Interestingly enough the first single "Vulnerable," was written when Sarah was only 17, long before even the material on her first EP, the acclaimed Even Born Again, was produced. Even so, it comprises everything that matters about her voice. If there is one thread that flows through all of Sarah's work, it is grappling with the self-serving cycles that are in all of us, and the aftermath that those needs deal out. "I'm a fan of life's wicked ironies. These things that reveal the truth from an aerial view nowhere near your perspective of the situation, and through these realizations you find redemption." And so it is with Suburban Nature.

    From opening track "Before You Go," everything sounds as wide and deep as the Grand Canyon, the sonic spread covering every degree of the mix. It's thick enough to feel when you breathe, but spatial enough to allow for the one thing that truly matters with singer/songwriters: their voice. When talking to the albums producer and engineer John Congleton (St Vincent, Polyphonic Spree, Explosions in the Sky, Clinic) about the spacious feel of the album, he had this to say on the matter: "I think it was intentional. Both Sarah's and my feelings on this was that the vocal should be the focal point have as much space as possible, while the music provided an emotional backdrop."

    Skilled players such as Kris Youmans – cello (Bill Callahan, The Paper Chase, Micah P Hinson) Becki Howard – violin (The Crash That Took Me) Jeff Ryan – percussion (The Baptist Generals, St Vincent, Pleasant Grove) and Robert Gomez – guitar (as himself) provide this essential emotional backdrop. Just take a listen to "Pretender" for an example of the power and talent contained in this group of players. Layers of moveable music float in, out, under and over lines such as "So here we stand, like flowers in the cold, wilt and wither/Here's your chance/Tell me what you want/I'm a forgiver." In other situations the group provide the perfect backbeat so Sarah is free to spin yarn that might not always be fact, but like we said, is certainly truth.

    On "Clementine," she sings, "We were young, we were young, we were young, we didn't care." Although only 24 you actually believe her. You believe her because you believe that no matter what her actual age, she lived through the war of a relationship or fifty that aged her to her core, and now her soul speaks to yours in the places where you have aged, and set down roots that flow as grid in a suburb becoming part of your nature. This is why we need singers like Sarah Jaffe and albums like Suburban Nature: We need a truth singer to be a soothsayer, and help heal us in the broken places of our time.

    Since the release of Suburban Nature, Sarah has toured constantly, hitting both Europe and the US with Midlake, as well as supporting such varied artists as Norah Jones, Lou Barlow, Centro-matic and Old 97s. "Clementine" Sarah's debut single reached the #1 spot at various radio stations including Austin's influential KGSR and Sirus' Spectrum. Sarah and Suburban Nature landed in many 2010 "Best of Lists" including: Paste Magazine's 10 Best New Solo Artists, 50 Best Albums, and 50 Best Songs; Amazon.com's Best Albums and Song's; USA Today's Pop Candy 100 People of 2010.

    Sarah released The Way Sound Leaves a Room, a cd/dvd combo in Fall 2011. In early 2012, Sarah will release the follow up to Suburban Nature.

    PRESS

    "Jaffe is blessed with both a trenchant lyrical pen and a vocal instrument perfectly suited to mainlining her effortlessly crafted, heartbroken tunes straight to the soul." –Paste Magazine

    "Great songwriters bring together two things…the ability to relate to people's daily lives and the wisdom to express emotions in new and powerful ways…Sarah Jaffe passes both tests." –NPR

    "One listen to 24-year-old Texas native Sarah Jaffe’s music and you’ll feel like you’ve known her for years….with lyrics so intimate you’ll feel like you’ve read her diary and a focus on her lovely, smoky voice (as if she’s whispering directly into your ear)." –Magnet

    "Sarah Jaffe is easily a charmed singer / songwriter. Her obvious talent draws you in and takes care of you. This album is sure to stand among the best female singer / songwriter albums of the year." –Country Music Pride

    "Best thing I heard: I've been digging the debut from a young singer / songwriter out of Texas named Sarah Jaffe. Go to MySpace right now and hear ‘Before You Go.’" –USA Today Pop Candy

    "If you’re even remotely alive/awake, (this will) knock you flat on your ass. Jaffe’s voice is the best instrument I’ve heard in a long, long time. Seriously: the last time I was this excited about a new singer was, I don’t know, a decade+ ago, hearing Richard Buckner for the first time (let’s be fair: I’ve dug Throw Me the Statue and Bon Iver and Ritter and Spoon and everyone else, but in terms of just pure singing power? In terms of voice? It’s not even close)." –Corduroy Books

    "Suburban Nature, Sarah Jaffe’s full-length debut, announces the Denton, Texas-based musician’s arrival as a force on the folk-pop scene in a big way, offering up 13 gems that could make even a hardened critic start throwing around terms like the next big thing.” –American Songwriter

    "Suburban Nature the provocative and quietly commanding debut album from 24-year-old Denton, Texas singer / songwriter Sarah Jaffe strips back, track by amazing track, any remnants of artifice or glossy veneer to get to the naked core of the personal joys, pains and haunting imagery that pulse beneath her bruised, resilient skin. This is an album of brilliantly understated, finely crafted miracles. Highly recommended." –Direct Current

    Website:
    http//:http://sarahjaffe.com/

    Map & Directions

at Crystal Ballroom
1332 W Burnside
Portland, United States

Pink/reaux | Partypatriotic | Ratt | Russe | Multifuntional | Soil” | Fantazzlecom’s

Hostile Takeover Tour Featuring Tech

Hostile Takeover Tour featuring Tech N9ne – Krizz Kaliko, Prozac, Mayday, Stevie Stone
Event on 2012-07-03 20:00:00
This event is 18 and over
Hostile Takeover Tour featuring Tech N9ne

The Kansas City rap king has sold more than 500,000 albums independently, performed in front of more than half a million people in the last three years and established himself as one of underground rap's most respected artists. With the impending release of his third national album, the monumental Everready (The Religion), Tech N9ne is poised to graduate from one of rap's best-kept secrets to a major international superstar.

After experiencing a number of professional setbacks while promoting his critically acclaimed Anghellic and Absolute Power albums, Tech N9ne felt that Everready (The Religion) was an affirmation of his staying power. "I wanted to name it Everready because if you look at the old Eveready batteries, their logo included nine lives," Tech explains. "That album title symbolizes nine lives, another life after death. I've had a lot of deaths in the music industry and there's still life after all that. The Religion, the reason I subtitled it that is because I want this album to be something that's being studied or praised. It's like calling it a doctrine."

Such a mandate is a natural conclusion after listening to Everready (The Religion). The album teams with blockbuster songs and stellar production. "Jellysickle," for instance, features Bay Area rap legend E-40 and a thumping, addictive club-ready beat from superproducer Rick Rock (Jay-Z, Fabolous). Despite the track's freshness, it made Tech N9ne think back to his early material.

"It reminded me of an old Tech N9ne, like 'Mitch Bade,'" he reveals. "It's like a 2006 'Mitch Bade,' so I had to talk about the same thing: jealous people, stupid people. Kansas City is a place where hatred is at an all-time high. I thought it would capture that persona of the ghetto."

As Tech N9ne has emerged as one of rap's most innovative, creatively fearless artists, there has been a segment of his fans who feel that he's abandoned his hardcore background. Tech addresses the situation on the aggressive yet elegantly produced "Come Gangsta." "After all these years of people telling me that my music was for white people, that I needed to come with gangster stuff," Tech says. "Music is supposed to inspire and evolve. Andre 3000 isn't still doing 'Player's Ball.' He evolved. That was always on my mind, that people were always telling me to come gangster. When it comes to it, my one gangster song can demolish their whole CD. I was inspired to write about the type of people that were telling me to come gangster."

Tech N9ne delivers more high-energy heat on "Welcome To The Midwest" with Big Krizz Kaliko. He continues his harder edge on the macabre "My World," with Brotha Lynch Hung, and the warped "In My Head." On these two tunes he raps about mad and sad topics, things that pain him. He expresses a similar sentiment on "The Rain," a touching ode to his wife and children. Much like Tech N9ne's classic "This Ring," "The Rain" features Tech N9ne giving his fans an intimate look into his life and his career, a look made all the more personal because the song features his two daughters rapping about how much they miss their father.

"Any man with a kid that's on the road a lot can relate to that, whether you're a musician, a doctor, a director," Tech explains. "A lot of people are not to be there for their family in the flesh, and they're hurting because they miss their loved ones."

People of all backgrounds can also relate to friction in their relationships. Tech N9ne conceptualized the riveting "My Wife, My Bitch, My Girl" during a low point in his marriage. "At the time I wrote that song, me and my wife were doing really bad," he reveals. "I wrote that song in my bitter stage, when I was saying whatever I wanted to say. '(My wife) don't like me/(My bitch) gets hyphy/(My girl) might knife me twice just to spite me.' That's how I had the balls to write it. I didn't care anymore. I just wanted to release it."

Tech N9ne then talks about his breast fetish on the sinister "Flash" and about his crew's road adventures on the heavy "Groupie." But touring hasn't been all fun and games for Tech N9ne. On the rock-influenced "Riot Maker," he details some of the problems he's had while trying to perform for his fans. "At the time, we were going through a lot of things," Tech says. "I wasn't able to go to Hawaii because the promoters said my music incites riots. At the same time, this girl was trying to sue me for 0,000 for cracking her own skull at my show and I wasn't even in the building yet."

An explosive recording artist, Tech N9ne has long earned praise from his fans because of his ability to deliver mind-blowing raps about his struggle to navigate through life's pitfalls. His willingness to shed his ego and allow his followers to look at the high and low points of his experience has earned Tech N9ne a rabid, dedicated following.

"A lot of people when they come up to me, they say, 'The reason why I like you Tech is that you say what you feel and you're not afraid to say anything,'" Tech says. "That's so tight because so many use discretion. I think I've inspired people to say what they feel because I've opened my life up for people to see."

With such powerful music, it should come as no surprise that Tech N9ne's reach continues expanding. Several of his songs are featured in the forthcoming Alpha Dog film, which stars Justin Timberlake and Sharon Stone. His music also appears on the latest edition of the fan favorite Madden NFL video game series, as well as the action video game 25 to Life. He also appears as a playable character on the latter.

But for now, it is all about indoctrinating his fans to Everready (The Religion). "This is Anghellic, Absolute Power combined," Tech says. "If I could have titled this album One Big Clusterfuck, I would have because I think it has everything. It has the personal stuff Anghellic had or the party stuff that Absolute Power had. I think this is my best work." Believe it.

at Marathon Music Works
1402 Clinton St
Nashville, United States

Sinead O’Connor
Event on 2012-02-20 20:00:00

Sinead O'Connor

Sinead O'Connor How About I Be Me (And You Be You) There has never been mistaking Sinead O'Connor for anybody else. A voice born to break as many hearts as windows, as tender as it is lethal. The face, simultaneously that of ocean-wide-eyed angel and shaven-headed warrior queen. And the spirit, courageous in its conviction, undaunted by controversy and fortified with endless reserves of resilience. Sinead O'Connor is that rare thing in popular music: a complete one-off. From her first breakthrough hit, 1987's 'Mandinka', to the multi-platinum international success of 1990's I Do Not Want What I Haven't Got with its unforgettable number one version of Prince's 'Nothing Compares 2 U', from her fearless genre-crossing forays into Irish folk and roots reggae to her collaborations with artists as diverse as Peter Gabriel, Massive Attack and The Chieftans, O'Connor has trodden a unique path to become the most iconic Irish female artist of the past 30 years. There is no one like Sinead O'Connor. There is only Sinead O'Connor. Lest the world dare forget who Sinead O'Connor is, it's about to be reminded once more. 25 years after her debut, 1987's The Lion And The Cobra, she returns with How About I Be Me (And You Be You), her ninth studio album and as showstopping a performance as her silver jubilee deserves. Produced by long-term collaborator John Reynolds, its ten tracks play like an encyclopaedic definition of O'Connor's oeuvre: songs about love and loss, hope and regret, pain and redemption, anger and justice. "I kind of realised I've spent a lot of my life as an artist being told what I should be," says O'Connor of the title. "Being told you should be this, you should do this, you shouldn't do that. You get to a certain age when you realise no, it's perfectly OK for me to be me, thank you very much, and you to be you. But it's very much an Irish thing. It's really a comment about Ireland and what it's like to be an Irish female artist, and particularly THIS Irish female artist." It begins with O'Connor as a giddy bride-to-be on the infectious hoedown '4th & Vine'; or as she laughingly puts it, one of many "girlie songs" on the album. "There are quite a lot of love songs on the record. It wasn't deliberate, but I'm pleased about it cos I never really did write love songs." So too the rousing 'Old Lady', a tongue-in-cheek punk ballad written about her crush on friend and Crying Game director Neil Jordan, and the buoyant call of 'The Wolf Is Getting Married'. "Another song about girlie issues," she says of the latter. "The title is something I've been wanting to use for years. When I lived in London I was in a cab having a chat with the young Muslim driver. The sky was really grey with just a little bit of blue shining through the clouds. He told me in Arab countries they called that the wolf is getting married, like he's smiling on his way to his wedding. I thought that was a gorgeous expression." Stepping out of herself and into character, the dreamily poignant 'Back Where You Belong' is a love song from a dead father killed in war to his son, originally written for the 2007 children's fantasy film The Water Horse. "There are several songs on the album which are character songs," explains O'Connor, "not necessarily me but a part of me." Equally emotive is the murmuring techno pulse of 'I Had A Baby', sung from the perspective of a single-parent. "It's a subject that people don't really write about. Even thought parentlessness is such a huge thing in the world, you rarely hear about it in a pop song. The character is a woman singing about a child she's had with a married man who's opted to have nothing to do with the child. And really, what that's like for the child and for the mother, how painful that is." The theme of pain, emotional and physical, casts its shadow wide. The beautiful 'Very Far From Home' is a personal catharsis of the loneliness of life on the road, as written and sung by a mother of four. "I can get very lonely on tour," admits O'Connor. "It's funny, I am a strong person but we're all contradictions and I'm quite vulnerable as well. Unless I have my home, my kids and all the things that keep me rooted I get quite freaked travelling around the world. When you're away from home you feel guilty. You're lonely, you're in Ostend or wherever and it's like, what's the fucking point?!" On 'Reason With Me', O'Connor delves even further into the dark, prompted by the personal testimonies of lives ripped to shreds by addiction. "The song is mostly inspired by this guy I met in Ireland, a heroin addict all his life and he thought he was a total piece of shit. He was like someone who had concrete poured all over him. Then I saw him again six months later and there was the same guy after he'd started to take action and there was this light in his eyes, he was a different person, the concrete was off him. He wasn't perfect, but he was happy and hopeful. So the song really sums that up." Living up to O'Connor's reputation as a powerfully original interpreter of other songwriters is the album's one cover version, John Grant's uncompromising lover's kiss-off 'Queen Of Denmark'. "It's a song about taking back your self-esteem and I loved the anger of it," she enthuses. "I didn't know John before but through doing the song we became mates. He has a great way of saying angry things in a terribly funny way." Unquestionably, the album's dramatic highlights are the two songs born of O'Connor's passionate response to the 2009 Murphy Report, the Irish government's enquiry into institutionalised child abuse in the country's Catholic school system and the cover-ups by the church hierarchy. On 'Take Off Your Shoes', O'Connor becomes a mouthpiece for, as she describes it, "the Holy Spirit with an AK rifle on the train on the way to the Vatican." As one of the most vocal campaigners against the attempted whitewash, O'Connor was eager to acknowledge her beliefs in song. "I liked the idea of scaring the fucking shit out of [the Vatican]," she explains. "What makes me angry and a bit of a soldier is I don't like the Holy Spirit disrespected. To me that's how it comes across, that they don't have any respect for the Holy Spirit if they can stand in its presence and lie over the rapes of small boys, covering these crimes up and yet it takes them two minutes to condemn Harry Potter for being evil." Which brings us to the captivating hymnal finale, 'VIP', where O'Connor turns her wrath on her fellow international Irish musicians too timid to step in and help her rattle the Papal cage. "We had a great tradition in Irish history of artists being a major part of the creation of history and the running of our culture," she explains. "They were very involved politically and half of them were driven into exile because they'd challenged society. Writers like Edna O'Brien, J.M. Synge, even James Joyce. Now you have this thing in Ireland where the artists have ceased to be interested in Irish issues and I find that very, very heartbreaking, especially with the publication of the Murphy Report." "I had tried," she continues, "to get a number of enormous internationally successful Irish musical artists to get involved in the struggle, to lend their voice, including someone who had actually endorsed Pope John Paul II and I was met with a stonewall of disinterest. So I think it's kind of criminal that the major musical artists from Ireland are doing nothing. And what annoys me is the one who endorsed the Pope is someone who goes on about believing in God all the time. So my view is, as artists, don't wave your fucking Grammy around going on about believing in God if you're not prepared to stand in the street and fight for the honour of God in your own country when your church has been raping little boys. It's just fucking stupid. And I was a bit nervous of challenging these artists. I've nothing against them personally. But it's time to say things as they are." Saying, and singing, things the way they are: it's what Sinead O'Connor's been doing best for the last 25 years. "I don't like comparing my records," she concludes, "but I do think there is a confidence there with this one. For a few years I went very into myself and I think I wasn't confident to be me because I was taking a kicking every time I did anything. So it seems to me that with this record I am more confident being me. You just grow into that way of thinking, y'know, what?" she laughs, "Fuck off!" The irrepressible, irreplaceable Sinead O'Connor. How about she be she and we just be thankful for it.

at Hollywood Forever Cemetery
6000 Santa Monica Boulevard
Los Angeles, United States

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